Keren. Duration: 6′. Composition dates: Publisher: Salabert, EAS Effectif: Pour trombone. Creation: Le , Festival Musica Strasbourg. The Trombone community on Reddit. Reddit gives you the best of the internet in one place. Xenakis: Keren for Trombone Solo. By Iannis Xenakis More by Iannis Xenakis. Persepolis · Xenakis: Iannis Xenakis: Nuits (Arr. for Guitar) · More Iannis.
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Xenakis’ use of nasty snarling sounds achieved by playing and singing at the same time further evoke the martial tradition of the brass instruments. Retrieved 2 July Xenakis replied to him with great satisfaction that he could finish a trombone concerto for him on June Several analysis methods have been proposed for this composition. Sexy Trippy All Moods. However, he received xenaksi composition for solo trombone, Kerena few years later, in This composition is his last composition for a solo instrument and orchestra.
Iannis Xenakis: Phlegra; Jalons; Keren; Nomos; Alpha; Thalleïn
keeren Rainy Day Relaxation Road Trip. As with most of Xenakis’ music, the degree of virtuosity and stamina required to perform this work is enormous.
As part of his very personal musical vocabulary, Iannis Xenakis has taken a special interest in exploring the various possibilities of the glissando.
Xenakis told him he didn’t have more time, so he asked Xenakis if he could write a trombone concerto for Lindberg. Views Read Edit View history. Drinking Hanging Out In Love. Despite any technical difficulties, however, Keren has become a mainstay of the contemporary solo trombone repertoire, sharing the status of such important works as Berio ‘s Sequenza V The composer has written a series of works for solo string instruments–which are especially well-suited to producing the effect–that explores the nuances of sliding sounds.
Keren is further characterized by fast, ostinato-like material in which melodic patterns built around three or four notes are repeated over and over, often with varied reorderings of the notes.
Jazz Latin New Age. The title of this composition comes from “trombone” and “orchestra”, taking into consideration that the sound of “kh” comes from Ancient Greek. The composition starts with a tritone played by the winds. Retrieved from ” https: The composition also features “arborescences”, a composition technique developed by Xenakis which consists of “branchings that come off of a rooted tree”.
When Lindberg received Troorkh, he considered it to be “practically unplayable”, with 56 high Fs and 2 F-sharps.
Share on facebook twitter tumblr. However, he was ready to premiere it inin which he received a standing ovation.
Iannis Xenakis, Keren | Ensemble Musikfabrik
It seems natural, then, that Xenakis’ only work for a solo wind or brass instrument is written for the trombone, for which the glissando is a particularly idomatic effect. Still, the work contains a great deal of lyricism, incorporating modal melodies that echo the music of exotic locales. Keren, however, is not merely a study in glissandi. It is dedicated to Swedish trombonist Christian Lindberg. Written in for Paris-based phenomenon Benny Sluchinthe work, whose title is Hebrew for “horn,” pays homage to this performer’s Israeli roots.
Genre Chamber Music Classical. This page was last edited on 29 Marchat While they play a role, the work is more a study of ainnis, of formal fluidity, as well as an exploration of the range of color and character available from the trombone.