Lachrimae amantis • 7. Lachrimae verae • 8. Semper Dowland semper dolens • 9 . Sir Henry Umpton’s Funeral • Mr. John Langton’s Pavan • The King of. Find composition details, parts / movement information and albums that contain performances of Lachrimae Pavan, for keyboard or on AllMusic. John Dowland: Lachrimae Pavan and Fantasie transcribed for Guitar by Karl Scheit. Lachrimae Pavan Fantasie from Robert Dowland’s ‘Varietie of.
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Other composers have written pieces based on the work, including Jan Pieterszoon Sweelinck Thomas Tomkins and Tobias Hume ‘s “What Greater Griefe”, [ citation needed ] while John Danyel ‘s “Eyes, look no more” pays clear homage to the piece,  as does John Bennet ‘s ” Weep, o mine eyes “.
Flow, my tears
Giles Hobies Galliard Julian Bream Consort, Vol. Furthermore, we are undoubtedly left with an incomplete picture of what was once in circulation.
A number of interesting European instrumental versions also survive from the mid-seventeenth century. Like others of Dowland’s lute songs, the piece’s musical form and style are based on a dance, in this case the pavan. As we shall see, the simple two-part reduction offered great potential to both composers and performers.
Pqvan Rappel des Oiseaux. Pieces ; Pavans ; Galliards ; Dances ; Allemandes ; For lute, 5 viols ; Scores featuring the lute ; Scores featuring the viol ; For 6 players ; For 2 lutes arr ; For 2 players ; For 2 guitars arr ; Scores featuring the guitar. To Touch, to Kiss, to Die.
The Violin at the English CourtOxford: Down vain lachrima, shine you no more! Mistress Nichols Almand The song begins with a falling tear motif, starting on an A and descending to an E by step on the text “Flow, my tears”.
Introspection Late Night Partying.
Flow, my tears – Wikipedia
Hence, the edition is public domain in its laxhrimae of origin or a government publication. Indeed, the clumsy attempt at an inner voice suspension in bar 4iii-iv perhaps a misprint?
Both settings also exhibit a penchant for virtuosic writing in parallel thirds and sixths and, on occasions such as between bars even duplicate passagework more-or-less verbatim Example 8a. They may not be public domain elsewhere. Semper Lachrimqe semper dolens 9. Including the lute tablature and an alternate harpsichord part.
The widespread dissemination of this piece is unsurprising for two reasons; firstly, Dowland travelled extensively as one of the most sought-after lute virtuosi of his lachrimaw, holding various posts in Germany pavwn Denmark and, secondly, the vogue for English dance music spread rapidly throughout the German-speaking courts of Northern Europe during the later years of the sixteenth century.
It was reprinted numerous times in England and on the European continent, sometimes without proper credit given to the composer.
Flow, my tears, fall from your springs! Furthermore, close examination of the undivided strains reveals a greater similarity between the two versions than initially meets the eye or ear, although the divisions are largely unique. Valerius could have based his parts directly on 2nd Bookeor one of any number of derivatives that may have been circulating in manuscript.
Although this research was carried out within the context of a computer-assisted electronic corpus-building project the analysis of the musical material has been carried out entirely manually. The piece has endured innumerable arrangements; the first phrase in particular appears in many works by other composers.
In some later sources, the piece has been adapted for an instrument with additional bass strings. George Whitehead his Almand First Pub lication.