Carnet de Villard de Honnecourt. d’après le manuscrit conservé à la Bibliothèque nationale de Paris, n ° Description matérielle: p. dont 66 p. de pl. In the footsteps of Villard de Honnecourt Villard de Honnecourt, a 13th century draughtsman, whose carnet or portfolio is still in existence. Review of Alain Erlande-Brandenburg et alia, Carnet de Villard de Honnecourt, in Archives Internationales d’Histoire des Sciences, vol.

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Carl F. Barnes, Jr. Publications on Villard de Honnecourt

On the front cover to the left of the overlapping flap are two identical extrusions, the upper 1. How does a work like this fit into your conception of music from the fourteenth century?

We see no reason why the portfolio now in the nationale could not be the original container of Villard’s drawings. The second inscription will be analyzed below, when discussing Quire VII.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Villard nowhere refers to the Reims transept. Matthew from Vullard Tetramorph fol. Sometime in the 13th century the original fol. The so-called “sketchbook” of Villard de Honnecourt more correctly, an album or portfolio dates to about c. We are face-to-face with the sequence of quires Villard himself desired and arranged.

File:Villard de – Wikimedia Commons

Shelby have argued that this view is insupportable 5. Our study will pose and answer five important questions about the Villard portfolio: The spears of the two equestrian figures on fol. This relates not so much to the facts or realities of that time, but rather, one could say, to it virtualities: The problem here is that Page criticizes comparisons between objects visual with musicalsymbols, meaning, i.


The English term is especially inappropriate and misleading, for it implies that Villard possessed a bound assemblage of blank parchment sheets more or less uniform in size. The edge of this overlapping flap originally extended to the middle of the front cover, but it has been trimmed by about 2.

We conclude that since Villard’s time there has been a loss of two leaves from this quire, and that Hahnlo- ser’s reconstruction of this quire is correct. French scholars never universally accepted Hahnloser’s contention that the Villard portfolio was a shop manual 4and in recent years a new generation of scholars have.

It seems very unlikely that Villard ever possessed thirty or more blank parchment leaves at one time. With your Cesena programme you are currently involved in a major touring project with Anne Teresa de Keersmaeker.

But of course, it started with something very simple: Despite this muddled performance, Mancel’s pagination permits us to determine the number of leaves that have disappeared since his handling of the portfolio.

If Villard did not have a bound sketchbook, csrnet did he carry and protect his of individual leaves as they increased in number? Because the drawings and captions are oriented in many different directions, the album appears to have been assembled in an ad hoc fashion, as if the individual sheets were not originally intended to be bound together into book form.

File:Villard de Honnecourt.djvu

In other projects Wikimedia Commons. And because the object is now protected with embellishments, and thus invisible, the fascination and sensation can do its work Debord was wanting to destroy the old art of Europe including burning down the cathedralswhilst at the same time he was in tears about the demolition of the old Les Halles quarter in Paris.

The further significance of this quire is that its constitution, like that of Quire IV, proves that Villard did not organize all of his leaves into uniform and large quires.


Villrd Industrial Revolution of the Middle Ages.

Le carnet de Villard de Honnecourt | Pancarte | Pinterest | Drawings, Art drawings and Medieval art

I can easily imagine that they were even analphabetic and trained by ear. In this sense, Debord is probably the only legitimate son of Villard de Honnecourt. DjVu for more information. I totally understand this.

The most helpful evidence is Villard’s inscriptions, approximately half of which help to establish the sequence of leaves in the quires. We thank them all, most especially Robert G.

What Villard had were individual sheets of parchment on which he made drawings of diverse subjects at different times Originally, however, it folded backward, toward fol. It is unclear whether it was Villard himself or a later party who assembled and bound the leaves into a book. There is always some alternative view, but really this is part of the beauty of it.

The film is a work of fiction and the result of a brainstorming session on how to present the musical repertories around Villard de Honnecourt. It proves the reality of complex climates of affective experience. Saying that a cathedral has nothing to do with music and thinking on the operative level is denying the crucial operators of the Middle Ages. I must say that I have been wanting to do this for a very long time, and if you want something you not only go for it but also you prepare in secret!