Sheet Music – £ – Gyorgy Ligeti’s Lux Aeterna, for Voice mixed chorus acappella. Duration: 9 minutes. Published by Edition Peters. Lux Aeterna sheet music – SATB choir (a cappella voice mixed chorus) sheet music by Gyorgy Ligeti: Edition Peters. Shop the World’s Largest Sheet Music. Lux Aeterna () by Gyorgy Ligeti is a single movement composition of about .. It is only by seeing the capital D in the score that one can tell the difference.

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The different divisions of the beat are frequently used for pitch changes making it impossible for the listener to pick a steady beat from the music. Block 5B ends with a simultaneous scorre which overlaps with block 5C. The piece ends with the altos singing soft sustained F and G pitches below middle C. Consider writing about your experience and musical tastes. This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties.

Each of the outer two pitches expand a semitone away from the central pitch.

It is most famous for its use in Stanley Kubrick ‘s film Only the syllable “lu” from block 5’s “luceat” is sung. Voice sheet music A Cappella sheet music Ensemble: Choose where you want to share: This name will appear next to your sore. It has the effect of weakening the B which it is leav ing, and strengthening the C which is its new pitch. The second and third chords have their middle pitches in common. Sopranos 1 and 2, and Tenors 1 and 2 sing only the syllable “Iu”.


In this piece, each of the sixteen voices is given a characteristic subdivision of the quarter-note beat:.

Lux Aeterna Sheet Music By Gyorgy Ligeti – Sheet Music Plus

I am a music teacher. We hear the bass singers for the first time, a timbral contrast, and we hear homophony for the first time, a textural contrast.

I doubt sometimes the necessity of Ligeti’s overly complex rhythmic notation, though it is surely nothing compared to New complexity! Is it a good teaching tool?

Block 3A bars enters with a unison F in the tenors and overlaps with block 2, which fades out. Sorry but your review could aeeterna be submitted, please verify the form and try again. This block cannot be considered homophonic because of the staggered entry and ending.

While the homophonic sections start and stop simultaneously, the polyphonic sections have two ways of starting and stopping. If you do not wish to be contacted, leave it blank.

Lux Aeterna – G.Ligeti

This may word- aetetna representing the composer’s interpretation of the text. The first is intervallically identical of the chord in block 2 but appears two octaves and a major second lower. Do you usually like this style of music?

The syllable “Do” is sung on E preparing the word “Dom ine”, which includes an E in its pitch material.


The score can be downloaded in the format of your preference: The B of block 5B is the highest pitch in the piece as well as a moment of high tension. For example, the first syllable, “Lux”, tends to be longer than the second syllable, which tends to be longer than the third.

Another contrast with other polyphonic sections of this piece is that this block begins simultaneously with the same syllable sung adterna three pitches instead of one. In conclusion, this composition has been very methodically created using ten clearly defined blocks with very strict internal pitch construction. One can see and hear that the harmonic mass is moving away from F. Scorre them eternal rest, O Lord, and may everlasting light shine upon them.

Ligeti – Lux Aeterna (Full Score)

All entries are marked “enter very gently” or “enter imperceptibly” except block 2 which enters “quasi eco”. For this reason it is possible in classical scores for string basses to frequently double the cello lines at the lower octave, while an upper octave doubling of the first violin line is an unusual special effect rather than a normal mode of orchestration.

The words of the text are also treated canonically.